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Grant Sorenson is an innovative and dynamic theatermaker whose "breathtaking…real and visceral" work spans the classical canon, contemporary drama, music theater, and opera. His directing work has been seen at the Guthrie Theater, Open Eye Theater, Boston Center for the Arts, Crane Theater, Running ErrandsWayzata TheatreMaison Bodega, Everwood FarmsteadMN Fringe Festival, and others; he has served as an assistant director for the Boston Early Music Festival, Theater Latte Da, The Moving Company, Hennepin Theatre Trust, and others. A native of Minneapolis, MN, he was steeped in the arts from a very young age, beginning his professional career as a student performer with the Tony Award-winning Children’s Theatre Company. He received his undergraduate education in acting and directing at the University of Minnesota in Minneapolis, where he continued to perform professionally while completing his training. After graduating, he worked as an actor and collaborator in the Twin Cities. He was a founding member of 7th House Theater, an actor-run performance collective, from 2012-2017.

In 2018, Grant turned his focus from performing to directing, quickly becoming an inventive interpreter of classical texts and a forward-thinking early career artist. Independent productions in the Twin Cities include the “beautifully devastating” VINCENT RIVER by Philip Ridley, the first non-reading United States production; a site-specific production of David Mamet’s BOSTON MARRIAGE at Maison Bodega, a 100-year-old mansion in Minneapolis; and an adaptation of Strindberg’s MISS JULIE developed and performed at Everwood Farmstead in Downing, WI.

Passionate about theater education, Grant served as the associate program director of Wayzata Theatre from 2018-2022 and interim department director from 2022-23, directing fifteen productions and co-creating an award-winning educational theatre program that staged six productions across three performance spaces each year.

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Grant relocated to Boston, MA in 2023 to pursue his MFA in Directing at Boston University under the guidance of nationally recognized director Wendy C. Goldberg. Continuing to carve a space for himself as a groundbreaking classics director, Grant’s thesis production of JULIUS CAESAR was a lauded capstone to his graduate studies. His other graduate productions included THE HOT L BALTIMORE by Lanford Wilson and DESDEMONA by Paula Vogel. Grant also collaborated with the Boston University Opera Institute as an assistant director and dramaturg on Daniel Catán’s FLORENCIA EN EL AMAZONAS. Grant has taught for Boston University, Cambridge Center for Adult Education, Hennepin Theatre Trust, and others, in addition to serving as an acting and audition coach for private students. In addition to his work with classical text, Grant has also developed world premiere productions, including THE GREAT WORK with premiered at the Guthrie Theater, as well as the “funny, believable, and surprisingly moving” ONLY UGLY GUYS in collaboration with playwright Kurt Engh, which had its world premiere at Open Eye Theater in 2024 and will be remounted at Gremlin Theater in 2025. Grant is an associate member of the Stage Director and Choreographer’s Society and a member of Actors’ Equity Association.

Grant is the artistic director and curator of TABLE/READ, a newly launched monthly theatergoing event in Minneapolis. This innovative social and performance experiment brings one nightly only theatrical performances to non-traditional theatre spaces in the Twin Cities.

UPCOMING
PROJECTS

ONLY UGLY GUYS

by Kurt Engh

Gremlin Theater

September 2025

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Kamala Sankaram

Boston University Opera Institute

October 2025

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Opera Bites

2026 Cycle

Boston Opera Collaborative

January 2026

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In rehearsal for ONLY UGLY GUYS (2025). Photo by Jacob Olson.

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